Dear guests,
I strongly encourage you to watch a trailer of my last piece TONIGHTS TUNE that I have just finished to edit.
TONIGHTS TUNE had its premiere on June 2nd 2009 at WUK in Vienna.
Video-recording was made during our 3rd performance at WUK on June 4th.
TONIGHTS TUNE
Artistic direction: Radek Hewelt
Choreogarphy and performance: Gabri M. Einsiedl, Dominik Grünbühel, Radek Hewelt, Linda Samaraweerova
Light design: Nicole Kropiunik
Special thanks to: Johannes Maile (WUK)
TONIGHTS TUNE could be developed thanks to the kind support of Culture Department of the City of Vienna (Kulturabteilung der Stadt Wien - MA7) and WUK
TONIGHTS TUNE is a score composed for 4 instruments. The performers are the musicians and the instruments at the same time. They act on according to the score. It's a concert. They play using their bodies and voices.
It's about singing physicalities and dancing voices. It's about physicality and voice tuning in with each other.
But it's also about pitch of movement,
... a rhythm of the thought,
... a timbre of emotion,
... a loudness of imagination,
... a melody of attention,
... a polyphony of different levels of perception,
... the musicality of the presence.
All in all it's about tuning... again and again.
And it's about particular tune of tonight.
Original video was made by Werner Sohajek / kulturvision
(www.kulturvision.at)
You can view TONIGHTS TUNE trailer also on YouTube under:
http://www.youtube.com/watch?v=TGrgPezj1iI
Welcome to my blog. You will find here some news and texts that come side by side to my artistic activities as choreographer, dancer and performer.
Showing posts with label Linda Samaraweerova. Show all posts
Showing posts with label Linda Samaraweerova. Show all posts
Tuesday, 1 December 2009
Monday, 1 June 2009
PREMIERE OF "TONIGHTS TUNE"
TONIGHTS TUNE will have its
premiere on Tuesday 2 of June (further performances 3 and 4 of June) at 8 p.m at WUK in Vienna.
Artistic leading: Radek Hewelt
Choreography/Performance: Gabri M. Einsiedl, Dominik Grünbühel, Radek Hewelt, Linda Samaraweerova
For more information click on the picture below to enlarge!
Or go to: www.wuk.at


Thursday, 30 April 2009
"Tonights tune" in progress...

Tonight tune is a score composed for 4 instruments.
The performers are the musicians and the instruments at the same time.
They act on according to the score.
It’s a concert.
They play using their bodies and voices.
It’s about singing physicalities and dancing voices.
It’s about physicality and voice tuning in with each other.
But it is also about the pitch of movement,
…a rhythm of the thought,
…a timbre of emotion,
…a the loudness of imagination,
…a melody of attention,
…a polyphony of different levels of perception,
…the musicality of the presence.
All in all it’s about tuning… again and again.
And it’s about particular tune of tonight.
The premiere will take place in WUK on 2nd of June. Further performances: 3, 4 June
Sunday, 19 April 2009
Friday, 3 April 2009
New production TONIGHTS TUNE starts now!

From today together with Gabri M. Einsiedl, Dominik Grünbühel and Linda Samaraweerova I start to work on the new production.
The working title is TONIGHTS TUNE.
It'll be presented at WUK (Vienna) between 2-4 June 2009.
Every some time I'm going to publish the updates from our process.
Artistic direction: Radek Hewelt
Choreography and performance: Gabri M. Einsiedl, Dominik Grünbühel, Linda Samaraweerova, Radek Hewelt
Support: Kulturabteilung der Stadt Wien (MA7), WUK
TONIGHTS TUNE (working title) is going to concentrate on the relation between physicality and voice. What concerns this project in particular is a point where they both meet. It’s in the way the continuation of one of the aspects that were present in my last piece “Close-up” where in some point we connected quite abstract body forms with all sorts of verbal sounds that were related to breathing. All those sounds, together with choreography, created interesting emotional paths and tensions. In this new project I’d like to extend and enrich both: physicality and voice.
In this work we’re going to circulate around few topics:
Dance influence on the voice.
Each body can be seen as a particular music instrument. Our genetic abilities, physicality, forms we make, tensions have obviously an impact on our voice. We want to experiment with different forms and physical tasks and see how they affect and modulate the voice. Part of the material and the artistic output should come out of this research.
Voice influence on the physicality.
It’s an opposite process to the one I described above. The starting point in this case is the voice that leads to the dance. For instance singing very high tones creates very interesting physical patterns in the body that can be use as an input for dance/choreography.
Deconstruction of the material and puzzling the elements.
I’ve made once experiment while watching the movie. I watched quite emotional scene where the actor was slowly executing very physical task. Then I did it again with the sound turned off. Third time I put my own sound on it. The result was very intriguing and interesting. It changed the way of perceiving the scene. In new project I want to use similar method with the material we create. I can see it in quite a big range as the process of extracting the elements and juxtaposing them with each other in different relations. It leads to the next point that I describe below.
Abstraction and concreteness, abstraction and emotionality (Contrast).
The dance understood as making forms in time very often stays in the abstraction (or eventually brings some emotional output). The voice is much more related to concreteness and rather clear emotionality. In this work I’d like to achieve at the end a specific tension between those two. I’d like to create some kind of vibrating stream that would be open for interpretation or reading, a stream that would contain abstraction, concreteness and emotionality – and all those elements being in ongoing interaction.
Strong focus on musicality.
The artistic output of our work will be rich with different musical elements like sounds, rhythms, melodies and songs. I’d like to work with four dancers (including myself). Each of us can be considered as a different unique instrument. The aim is creating a performance that could be described as physical and musical concert.
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