"Le Sacre" was presented on 27 and 28 September in Beijing at theatre Fringe Festival.
In the last period "The Rite of Spring" seems to be my main signature as a performer. First there was Teatr Dada von Bzdülöw with "Le Sacre"...
The
 intriguing spectacle by Dada von Bzdülöw Theatre was played in Beijing,
 closing this year’s theatre Fringe Festival. Has the lost, original 
version of “The Rite of Spring” by Stravinski after a hundred years been
 finally brought into the daylight?
According to the libretto 
created by Leszek Bzdyl that’s exactly what happened. The play script 
tells about a great discovery made by the researcher and professor of 
the Massachusett Bard Collage, Jeff Perec, who, while cataloguing 
documents donated post mortem to the Collage by the descendants of 
Mikolaj Roerich, has found pieces of correspondence between Roerich and 
Stravinski, the creators of “The Rite of Spring” – the mythical ballet 
which, at the beginning of the 20th century, turned upside 
down the concept of contemporary music-body movement performance. In 
their letters the librettist and the composer mentioned the original 
version of “The Rite of Spring”,
 it’s radical concepts and ways of expression, and about the significant
 philosophical and musical differences compared to the spectacle staged 
in 1913 in Paris.
The performance by Dada von Bzdülöw is a
 dialogue with the creators of “The Rite of Spring”, a dialogue about 
breaking the chains of conventionalities. Conventionalities, which once 
broken and shattered form a new quality, just to become a 
conventionality again. The music used in the play written by Mikolaj 
Trzaska, is also a dispute with, as Trzaska said „greatly written, but 
(…) pompous” musical work of “The Rite of Spring”.
Following the “Invisible Duets”, “Le 
Sacre” was the second play, performed by Dada von Bzdülöw Theatre in 
China, and just as the “...Duets” was very well received both by the 
audience and the critics. The project of Dada von Bzdülöw Theatre’s 
participation in the Fringe Festival was carried out thanks to 
cooperation of the Adam Mickiewicz Institute and the Embassy of Poland 
in Beijing.
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